The Sight of Your Soul
And so, the peoples’ lawyers are always a sight to behold, alongside the peasants, workers, indigenous people, fisherfolk, urban poor, informal settlers, and marginalized women and children
And so, the peoples’ lawyers are always a sight to behold, alongside the peasants, workers, indigenous people, fisherfolk, urban poor, informal settlers, and marginalized women and children
Revolutionary international solidarity asserts that the terrorist designation on the late Jose Maria Sison, his comrades, and the CPP-NPA-NDF is a US-led imperialist and fascist crackdown on the people’s war for national liberation and socialism in the Philippines. Scratch the surface of the Terrorist friend, and you will find a precious comrade.
Why, in the first place, are we in this season of uncertainty/When plans are suddenly aborted to dive deep into a quicksand/Where one has no control/Realizing big brother must be hovering above…
This has become a roller coaster ride/Even a child-like attitude cannot cherish/The heart bleeds and the mind crashes/If there is a moment one wants to erase from memory/This must be it.
Because you allegedly fought with government soldiers in an encounter/Where one of them died/
In a place you have never been to/
And with the kind of fragile physique and considerable age
It hit me then as it hit me now/Deceit envelope those filing charges/For they have nothing by way of evidence and witnesses
Di naman kaya natatakot ang Pangulo,/Na maungkat din ang paggasta ng pondo,/Saan ginagamit at hingan ng resibo,/Sa gayon mabatid kung ginamit ng wasto?
Kung kukunsintihin niyo pa,/Kapag sinabi niyo na tama,/Kung bilib na bilib sa kanya,/Kailangan mo rin ‘pakonsulta.
A tightly written script, albeit going back and forth in time, coupled with superb acting from Lee Byung-hu, Cho Seung-woo (Prosecutor Woo) and Baek Yoon-sik (Editor Lee), kept this movie from being the typical corruption tale that ends in the “crime does not pay” mode. It is a realistic portrayal of what ails modern society and not merely South Korea.
This is a movie that looks at simple occurrences with irony, melancholy and hope. Surprisingly, it connects varying social issues without losing focus on the ever-changing landscape of human relationships.









